Reality and Illusion in Shakespeares Hamlet - Reality, Appearance and

Reality and Illusion in Hamlet Shakespeares work out, Hamlet, begins with the show of a touch modality, an apparition, possibly a hallucination. Thus, from the beginning, Shakespeare presents the air of uncertainty, of the unnatural, which drives the action of the play and develops in the protagonist as a struggle to clarify what only seems to be absolute and what is actually reality. Hamlets mind, therefore, becomes the central force of the play, choosing the direction of the conflict by his decisions regarding his revenge and defining the outcome. Shakespeare begins Hamlets struggle with recognition of Hamlets sincere grief and individual retirement account following his fathers untimely death. A taste of the conflict is expressed in the dialogue between Hamlet and his mother, Gertrude. Here Hamlet forcefully declares his aggravator and adds a discerning remark that defines seems as actions that a man ability play. (I.2 ln 84) By acknowledging Hamlets comprehension of the separation between appearances and truth, Shakespeare gives the audience a probable belief in Hamlets eventual success despite the obstacles he creates for himself. develop a convincing scheme by which to determine the goodness of the ghost and to achieve revenge is Hamlets first action. Hamlet asks his friend Horatio to refrain from commenting on any strange behavior he may exhibit in the future. (I.5 ln 170-179) Later in the play, Hamlet alludes to his actual sanity when conversing with his school friends, Rosencrantz and Guildenstern. I am but mad north-north-west. When the wind is southerly, I know a hawk from a handsaw. (II.2 ln 377-378) After adequately concealing his intentions, Hamlet begins to surmise his own character. He compares himself to an actor who... ...struggle for revenge. Nevertheless, the central driving force of the play remains Hamlets mind. The new king, Fortinbras, assures the audience that Hamlet was likely, had he been put on, to hire proved most ro yal. (V.2 ln 391-392) Works Cited and Consulted Heilman, Robert B. The Role We Give Shakespeare. Essays on Shakespeare. Ed. Gerald Chapman. Princeton, NJ Princeton University Press, 1965. Levin, Harry. General Introduction. The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston Houghton Mifflin Co., 1974. Mack, Maynard. The World of Hamlet. Yale Review. vol. 41 (1952) p. 502-23. Rpt. in Readings on The Tragedies. Ed. Clarice Swisher. San Diego Greenhaven Press, 1996. Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http//www.chemicool.com/Shakespeare/hamlet/full.html